10/29/2023 0 Comments Jennifer lame editorWhile we were cutting that movie in some weird closet in Times Square-that movie was so low-budget-Noah was shooting a pilot for HBO. I was able to be so experimental on that film. Every little thing we had started to put into practice on every single movie all came together on this movie, and it was really successful. He sent me the first draft of the script. I would say on this movie, everything we had been doing together kind of locked in and worked really well. Starting with “The Meyerowitz Stories (New and Selected) ,” I started helping Noah early on in the script process. When we first met, I hadn’t done a lot of editing work, and I came on “Frances Ha” as an assistant and got bumped up because his other editor had some other obligations.Įach movie our relationship kind of evolved. Jennifer Lame: I think it has evolved quite a bit. What is the creative dynamic between the two of you? In a wide-ranging interview, Lame talked about the nature of her work and preserving the artistic integrity of the director’s vision.ĬineMontage: This is the fifth film you have worked on with Noah Baumbach. The story charts the complicated, tense, and bruising relationship of a celebrated young New York theater director (Adam Driver) and his actress wife played (Scarlett Johansson). Their newest collaboration, “Marriage Story,” is one of the year’s most celebrated films. She has edited Baumbach’s last five features. She is currently at work on Christopher Nolan’s new film, “Tenet.” Jennifer Lame, ACE, is one of the bright young lights of American independent cinema.įrom “Frances Ha” (2012), the Oscar-winning “Manchester by the Sea” (2016) and the modern horror touchstone “Hereditary” (2018), the Philadelphia native has demonstrated a remarkable stylistic fluency as a picture editor, helping shape the works of leading American filmmakers such as Noah Baumbach, Kenneth Longergan, and Ari Aster. Adam Driver and Scarlett Johansson in "Marriage Story." Photo: Netflix.
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